Allison Cain’s career as a theater professional spans nearly 30 years, including 10 in her current role as Managing Director of the award-winning Lifeline Theatre in Chicago. Like many leaders of small arts organizations, however, she doesn’t focus exclusively on making great theater for her community. She also focuses on making ends meet at Lifeline.
“I’m not formally trained in finance, but I head up finance,” she notes with a smile.
Wearing multiple hats is common in small- to medium-sized nonprofits, including those in the arts and culture space. “Organizations like ours can’t always afford to have someone on staff with a CPA background,” explains Ben Koucherik, General Manager of the Chicago Children’s Theatre.
Even for the arts organizations that can, aligning strategic goals with budgetary realities is a perpetual challenge simply due to the nature of their work. “For arts organizations, budget models tend to be risky,” writes Cate Fox, a Senior Program Officer at the MacArthur Foundation, in a recent blog post on the topic. “They require organizations to spend money building an artistic idea with the hope that once it is created the organization will be able to recoup what was spent.”
Recognizing the need to support visionary leaders through that process, the MacArthur Foundation created the Chicago-based Arts and Culture Loan Fund (ACLF) program, which is administered by IFF. The program provides financial resources to organizations that are grantees of the MacArthur Foundation or the MacArthur funds at the Prince Charitable Trusts and the Richard H. Driehaus Foundation.
Three key resources comprise the ACLF:
Grantees have the option of tapping into these powerful resources singly or in combination with one another, depending on their organizations’ specific needs.
In June, leaders from eight arts and culture nonprofits — including Lifeline and Chicago Children’s Theatre — completed four all-day workshops designed to help them think through the financial side of their work. The program has now served more than 40 Chicagoland arts organizations since the MacArthur Foundation launched it in 2009.
The 2019 workshops were spaced out over three months, with individual coaching sessions in between. The topics FMA covered included:
Two to five staff members from each organization — representing a range of roles and financial expertise — participated in the workshop series, allowing people to share ideas both within and beyond their own teams.
“It was super valuable to have other staff members experience the same training and get aligned,” Koucherik said. “The conversations we’ve had back at the office have been great. Plus, we have a newly minted board member who has jumped in and participated in the workshops. Having her speak from her experience in the training will help build buy-in for best practices and a strategic approach at the board level.”
He did, however, recommend that organizations time their participation with care. “I think it’s critical that organizations come in to the workshops with a full understanding of their capacity,” he said. “You will get something out of just sitting in the room, but it won’t have the same impact if you can’t act on what you learn.”
Participants appreciated the opportunity to exchange ideas with leaders from other arts organizations as well. “It’s nice to look around the room and see others who are facing the same challenges,” Cain said. “I’d definitely recommend the program.”
Congratulations to all eight of 2019’s participating organizations:
Are you interested in participating in one or more components of the ACLF — or do you know of a MacArthur Foundation grantee who might be? Learn more about the program and how to get involved.